MUSICBED | Finding Traction: A Conversation With Rachel Morrison
VARIETY | 10 Cinematographers to Watch
BELOW THE LINE | Rachel Morrison to Receive Kodak Vision Award
AMY POEHLER'S SMART GIRLS | Meet Rachel Morrison
EWA | Interview With DOP Rachel Morrison
HD VIDEO PRO | Outside the Box Tools
VARIETY | AMPAS 2015 Freshman Class
GLAMOUR MAGAZINE | Hollywood Edition: 35 Under 35
VARIETY | 2013 Below the Line Impact Report
INDIEWIRE | On the Rise: 5 Cinematographers to Watch in 2013
VARIETY | 2012 Below the Line Impact Report: Up Next
MUSICBED | Cinematographers Autumn Durald and Rachel Morrison on Filmmaking and Motherhood
NYTIMES | Female Cinematographers, Not Content to Hide Behind the Camera
MOVIE NEWS GUIDE | 'Confirmation' Relives Supreme Court Justice Clarence Thomas
FILMMERIT | Cinematographer Rachel Morrison Shines a Light on HBO's Confirmation
FILMMAKER MAGAZINE | Managing Anamorphics in 16:9 and the HBO Learning Curve: DP Rachel Morrison on Confirmation
FILMMAKER MAGAZINE | Rachel Morrison Talks Dope, Her Favorite Shot and Career
SOUND & PICTURE | Cinematographer Rachel Morrison Gets Dope in LA
DoP Rachel Morrison’s off-center, oddly-angled compositions add an edginess, enhanced by the faint handheld quiver of the camera while heightened colors are deployed sparingly to signal Claire’s breaks with reality.
- Leslie Felperin, The Hollywood Reporter
THE CINEMATOGRAPHY DATABASE | The Cinematography of Cake with Dp Rachel Morrison
FILMSLATE | Interview: Cinematographer Rachel Morrison on Creating a Visual Story
HOLLYWOOD REPORTER | Cake: Toronto Review
DEEP FRIED MOVIES | Interviews: Cake Cinematographer Rachel Morrison
SHOOT ONLINE | Toronto Film Festival Watch: Cinematographer Rachel Morrison
Colangelo follows these parallel one-on-one relationships while remaining attentive to the feel of the community surrounding them. Marcelo Zarvos's sensitive score and fine lensing by Rachel Morrison make her job easier...
- John DeFore, The Hollywood Reporter
CREATIVE PLANET NETWORK | 'Little Accidents' DP Rachel Morrison Is Not Afraid of the Dark
THE HOLLYWOOD REPORTER | Little Accidents Sundance Review
MOVIEMAKER | Eye Piece: DP Rachel Morrison Goes Underground on 'Little Accidents'
Rachel Morrison's cinematography is as alive as the characters, which also helps the movie achieve something rare: the sense that you're walking beside someone through their life. This may be why so many come out of it wishing they could have done something to save him.
- Bob Strauss, LA Daily News
ARRI | Moving Pictures: Fruitvale Station
ICG MAGAZINE | Down and Pretty
CREATIVE COW | Behind the Lens: Rachel Morrison Receives Kodak Vision Award
FILMMAKER MAGAZINE | Profile: Fruitvale Station DP Rachel Morrison
INDIEWIRE | Ryan Coogler Get to the Heart of Human Portrayal in 'Fruitvale Station'
LA DAILY NEWS | LA Film Festival Review: Fruitvale Station
HD VIDEO PRO | Off the Rails
SHOOT ONLINE | Gazing into the Award Season Viewfinder
STUDIO DAILY | Fruitvale Station and the Intimacy of Film
HUFFINGTON POST | Fruitvale Station
THE POST LAB | DP Rachel Morrison Talks about Shooting Fruitvale
VARIETY | Review: Fruitvale
WSJ | Fruitvale Station: A Sense of Life in Full
Under the guidance of cinematographer Rachel Morrison, the BART trains look like urban snakes, vipers speeding along tracks and devouring humans at each station
- Dwight Brown, Huffington Post
The Bay Area itself becomes a character, populated by black beanies, water rushing onto the rocks of the bay, and that distinct diction and physical bravado embodied by Grant and his friends, all framed beautifully by cinematographer Rachel Morrison, who shot on super 16mm film here
- Nijla Mumin, Indiewire
Tech credits are solid, with Rachel Morrison’s fluid handheld camerawork giving the actors room to breathe, and sound designer Bob Edwards’ work especially attuned to the power of silence
- Geoff Berkshire, Variety
Rachel Morrison’s lovely photography is at all times a treat, finding beauty in unlikely spots in Rudy’s squalid apartment, as well as what seems an eternally dusky Los Angeles.
- David Noh, Film Journal International
The 1970s are, in a sense, a central character in the social clash to come. The production design by Elizabeth Garner, costumes by Samantha Kuester and the shooting by cinematographer Rachel Morrison evoke the time in careful detail.
- Betsey Sharkey, Los Angeles Times
LA TIMES | Any Day Now: A Tangled Love Story
NEW YORK TIMES | Critic's Pick: Ahead of Their Time but Resolved to Love
FILM JOURNAL INTERNATIONAL | Film Review: Any Day Now
Director von Scherler Mayer enhances the overall air of heightened realism by having lenser Rachel Morrison pursue the actors in the manner of a cinema-verite documentarian, framing shots and choosing angles with a randomness that is doubtless more seeming than real.
- Joe Leydon, Variety
STUDIO DAILY | Some Girl(s) Bows on Both Big Screen and Small
CREATIVE PLANET | Spotlight Rachel Morrison, DP, Some Girl(s)
BELOW THE LINE | Rachel Morrison Shoots Some Girl(s)
VARIETY | SXSW Review: Some Girl(s)
“Sound of My Voice” is an economically assembled film that knows what it’s doing at every step, and Batmanglij appears to have channeled his limited resources for maximum effectiveness; Tamara Meem’s editing is sharp, Rachel Morrison’s lensing often splendidly unnerving as the camera presses up close against the characters.
- Justin Chang, Variety
"Sound of My Voice" has other strengths that speak well for the people who made it: warm and intimate cinematography by Rachel Morrison...
- Joe Morgenstern, Wall Street Journal
VARIETY | Review: Sound of My Voice
NY TIMES | The Guru in the Basement Promises a Journey To ... Something
PASTE MAGAZINE | Sound of My Voice
